Naim SI series
With the help of our selection of SI integrated solutions, experience the artist’s emotion with greater closeness. With the grasp and authority you would expect from Naim Audio, our two box high-fidelity systems will engage even the most challenging dynamics and intricate rhythms, cutting to the core of your music.
Industry-Leading Feature
Hand-made componentry
Infinite Curiosity
Ultimate Attention to Detail
The SNAIC Shaker
Absolute Power
Decoupling and Isolation
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Product Line of the Naim SI Series
CD5si | |
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Brand | Naim |
De-emphasis | ±0.1dB referred to main response |
Line Outputs Fixed (level) | 2.1V RMS at 1kHz |
THD + N | < 0.007%, 10Hz - 20kHz at full level |
Load Impedance | 10kΩ (min.) |
Output Impedance | 10Ω (max.) |
Frequency Response | 10Hz – 20kHz, -0.6dB at 20Hz |
DIMENSIONS | 70 x 432 x 301 mm |
Weight | 5.9 kg |
NAIT 5SI | |
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Brand | Naim |
Input Impedance | 20kΩ |
Analogue Input | 2 x DIN, 4 x RCA |
Input Sensitivity | 150mV |
Mains Supply | 100V, 115V, 230V; 50 or 60Hz |
Power Consumption (max.) | 300VA |
Power Output | 60W/channel, 8Ω |
DIMENSIONS | 70 x 432 x 301 mm |
Weight | 6.8 kg |
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Naim SI Features
Decoupling and Isolation
Minimising mechanical, electromagnetic and thermal interference between components is a key part of Naim Audio design. Decoupling sockets to cut off interference from incoming mains power and suspending circuit boards on brass sub plates to create an isolated environment for critical electronics are two applications of this principle. A less obvious example is the creation of small bends in individual resistors by hand, decreasing microphonic interference (microscopic vibrations which degrade sound quality). But similar techniques are applied at every level of the design and build. And we only introduce techniques if they prove effective and repeatable in listening tests.
Hand-matched Componentry
Matching the characteristics of sound critical components for each channel (left and right speaker) of an amplifier can greatly improve sound quality. Batches of resistors typically come matched to within a 5% margin of error. Through listening tests we found that if the resistance of the left and right channels are matched to closer than 0.5% music becomes dramatically more communicative and engaging. Following this discovery a bespoke production procedure was conceived to help us match resistors by hand.